I work in the arts and am currently based in Vienna. This is a portfolio of my own projects that are located in between time-based media arts and artistic research. Apart from that and among other things I write and talk about art and work in exhibition production, curation and mediation.
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I'm available for all kinds of collaborations, in video & sound or for essayistic, journalistic and curatorial writing
an excerpt of my job life: 2022, 2023 & 2024 I was in the selection commitee for and the technical director of Monitoring – exhibition for time-based media art at the Kassel Documentary Film and Video Festival.I have done art mediation work at Sterischer Herbst, Graz; Ars Electronica, Linz; Positions Art Fair Berlin.I have been a curatorial assistant at SOMA, Berlin & I have written reviews/catalogue texts for TAZ, Tanzquartier Magazin, Tangente St. Pölten, Kassel Documentary Film and Video Festival.
hyper-personalized communications
2020, Water glass, wallpaper, monitor, projection, 6 speakers, 2 full HD video loops, 3 audio files, Stereo 11:08
In the sound and video installation "hyper personalized communications" contact is made with ghosts through communication technologies. Text fragments and sound design reproduce text fragments that talk about haunting apparitions, about ghostly apparitions in the 19th century, electricity and Morse, about television piracy in the 1970s, the "Stone Tape Theory", the phenomenon of "the Hum, tape voices, Tv media and cold reading.
In these stories, ghosts make use of a technological medium, or technology is needed to make ghosts audible. The agency of the virtual, the media, and the devices come to life is mixed with the equally uncanny agency of the commercial world, its promise of connectedness, and its intrusion into the private through the increasing invisibility of technological influences, opaque tracking systems, and product design and marketing decisions.
one of the 3 audio files playing from different points behind the wallpaper


